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・ Elizabeth Stanhope, Countess of Chesterfield
・ Elizabeth Stanhope, Countess of Chesterfield (d. 1677)
・ Elizabeth Stanhope, Countess of Chesterfield (d. 1708)
・ Elizabeth Stanhope, Countess of Chesterfield (disambiguation)
・ Elizabeth Stanley
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・ Elizabeth state by-election, 1994
・ Elizabeth Steel
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Elizabeth Stephens
・ Elizabeth Sterling Haynes
・ Elizabeth Sterling Haynes Award
・ Elizabeth Stern
・ Elizabeth Stewart
・ Elizabeth Stewart, Countess of Crawford
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Elizabeth Stephens : ウィキペディア英語版
Elizabeth Stephens

Elizabeth M. "Beth" Stephens (born November 18, 1960) is an American artist, sculptor, film maker, photographer, professor and former Chair of the Art Department at UC Santa Cruz. Stephens, who describes herself as "ecosexual", collaborates with her partner since 2002, ecosexual artist, radical sex educator, and performer Annie Sprinkle.〔(Toronto Life: Double Exposure )〕
==Life and career==
Stephens was born in Montgomery, West Virginia on November 18, 1960. Her family co-owned Marathon Coal-bit company. She grew up in Appalachia, moving to Boston, New Jersey, and later to San Francisco.

Stephens studied Fine Arts at Tufts University, The Museum School, and Rutgers University. She worked with Martha Rosler and Geoffrey Hendricks〔(【引用サイトリンク】title=Brooklyn Museum )〕 in her graduate education. She has been a professor at UCSC since 1993, and chaired the department from 2006 until 2009.
In December 2004, Stephens committed to doing seven years of art projects about love with her wife and art collaborator, Annie Sprinkle. They call this their ''Love Art Laboratory''. Part of their project was to do an experimental art wedding each year, and each year had a different theme and color. The seven-year structure was adapted to their project by invitation of artist Linda M. Montano. Sprinkle and Stephens have done seventeen art weddings, fourteen with ecosexual themes. Critics relate the project to contemporary political debates including marriage equality, ecofeminism, and the environmental movement.〔 Critics also note that Stephens' work explores and challenges the validity of the boundary between what is "art," and what is "pornography."
Recently, Stephens has produced and directed ''Goodbye Gauley Mountain: An Ecosexual Love Story'', a film addressing Mountaintop removal mining near her birthplace and its effects on the environment and nearby communities.
Her work has been shown internationally, including at Museum Kunstpalast (Düsseldorf), El Ojo Atomico Antimuseo de Arte Contemporáneo (Spain), and the San Francisco Museum of Modern Art.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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